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Kamal Haasan
Kamal Haasan
Kamal Haasan ( born 7 November 1954) is an Indian film actor, script writer, and filmmaker, considered one of the leading method actors of Indian cinema.Haasan is known for winning several Indian film awards, including earning the most National Film Awards and Filmfare Awards, and also has the distinction of being the actor with the most number of films submitted by India in contest for the Academy Award for Best Foreign Language Film. In addition to acting and directing, he is a screenwriter, lyricist, playback singer and choreographer. His film production company, Rajkamal International, has produced several of his films.

After several projects as a child artiste, Kamal Haasan's breakthrough into lead acting came with his role in the 1975 drama Apoorva Raagangal, in which he played a rebellious youth in love with an older woman. He secured his first Indian National Film Award for his portrayal of a guileless school teacher who tends a child-like amnesiac in 1982's Moondram Pirai. He was particularly noted for his performance in Mani Ratnam's Godfatheresque Nayagan (1987), which was ranked by Time magazine as one of the best films of all time. Since then he has gone on to appear in other notable films such as his own productions, Hey Ram and Virumaandi, as well as the magnum opus Dasavathaaram, in which he appeared in ten distinct roles.

Early career: 1960s – early 1970s

Kamal Haasan as seen in his debut, Kalathur Kannamma

Kamal Haasan made his film debut as a 4-year-old child artiste, in Kalathur Kannamma which was directed by A. Bhimsingh and released on 12 August 1959. He was cast along with the veteran Tamil actor Gemini Ganesan, winning the National Film Award for Best Child Artist. He acted as a child actor in five other Tamil films in the subsequent few years co-starring with Sivaji Ganesan and M. G. Ramachandran.

Following a nine year hiatus from films to concentrate on his education as well as learning karate and Bharathanatyam, Haasan returned with a series of low budget films in 1972, in all of which he played supporting roles. These films included roles in Arangetram and Sollathaan Ninaikkiren, both co-starring Sivakumar. His final supporting role before establishing himself as a lead actor was in Naan Avanillai.

Late 1970s – 1980s

Kamal Haasan first received a regional Filmfare Award for acting for his role in the Malayalam film Kanyakumari (1974). In the next four years, he won six regional Best Actor Filmfare Awards, including four consecutive Best Tamil Actor Awards. He acted in director K. Balachander's Apoorva Raagangal, an exploration of age-gap relationships. The late 1970s was a period that saw Kamal Haasan's frequent collaboration with K. Balachander, who also cast him in many of his socially-themed films such as Avargal (1977). The film won Haasan his first Filmfare Best Tamil Actor Award In 1976, Haasan appeared in the drama Moondru Mudichu with Rajinikanth and Sridevi, another K. Balachander film, Manmadha Leelai, and Oru Oodhappu Kan Simittugiradhu, which won him his second consecutive Best Actor Award. 16 Vayathinile won him his third consecutive award, where he appeared as a mentally ill villager, once again alongside Rajinikanth and Sridevi. The fourth consecutive award came with Sigappu Rojakal in which he appeared as an anti-hero who is a psychopathic sexual killer. In the late seventies, Haasan appeared in other films such as the comedy Ninaithale Inikkum and the horror film Neeya.

Haasan's pairing with the actress Sridevi continued with Guru and Varumayin Niram Sigappu in 1980. Kamal Haasan also made guest–cameo appearances, such as in the Rajnikanth film Thillu Mullu; Rajinikanth had previously appeared in some of Kamal Haasan's films. Haasan's 100th career film appearance was in 1981's Raja Paarvai, which also marked his debut in film production. Despite this film's relatively poor reception at the cinemas, his portrayal of a blind session violinist earned him a Filmfare Award. His next acting role, in Ek Duuje Ke Liye, became his first Hindi-language film. It was the remake of his previous Telugu-language film, Maro Charithra by K. Balachandar. Following a year of starring in commercially-oriented films, Haasan won his first of three National Awards for Best Actor with his portrayal of a school teacher who looks after a mentally retarded girl in Balu Mahendra's Moondram Pirai, alter reprising the role in the Hindi version, Sadma In 1983, Haasan appeared in Thoongadhey Thambi Thoongadhey playing a double role.

Till 1985, Haasan began to appear in more Hindi language films, including Saagar, for which he was awarded both the Filmfare Best Actor Award and the Best Supporting Actor Award, making him the first actor to win both awards for a single film. Saagar portrayed him alongside Rishi Kapoor both of whom were pinning for a woman, but Haasan ultimately loses out. Haasan also appeared in Geraftaar. He featured in Tamil cinema's first sequel Japanil Kalyanaraman, which followed up his previous, Kalyanaraman as well as acting in Uruvangal Maralam co-starring Sivaji Ganesan and Rajinikanth.

In the mid-1980s, Haasan appeared in two Telugu language films, Sagara Sangamam and Swathi Muthyam with director, Kasinadhuni Viswanath. The latter film was India's representative for the Academy Award for the Best Foreign Language Film in 1986.Whilst, the former film portrayed Haasan as a drunkard classical dancer, Swathi Muthyam portrays him as an autistic person attempting to change society. Following Punnagai Mannan, in which he portrays dual roles including a satire of Charlie Chaplin and Vetri Vizha as an amnesiac, Haasan appeared in Mani Rathnam's 1987 film Nayagan. Nayagan portrays the life of an underworld don in Bombay. The story revolves around the life of a real-life underworld don called Varadarajan Mudaliar, whilst sympathetically depicting the struggle of South Indians living in Mumbai.Haasan received a Indian National Award for his performance and Nayagan was nominated by India as its entry for the Best Foreign Language Film for the Academy Awards in 1987 as well as being included in the Time top 100 movies list. In 1988, Haasan appeared in his only silent film to date, appearing in the black comedy Pushpak. In 1989, Haasan played a triple role in Apoorva Sagodharargal. The commercial film portrayed him in a role as a dwarf  He then attempted dual roles in Indrudu Chandrudu and its Tamil remake, winning the regional Best Actor Award for his performance.
The 1990s

Michael Madhana Kamarajan in 1991 saw Haasan go one step further, acting in four different roles as quadruplets with the film starting an ongoing collaboration for future comedy films between Haasan and Crazy Mohan, a dialogue writer. The film became a blockbuster, with Haasan's portrayals all being critically praised; with one forming the crux for a future venture by his production house. Haasan won successive best actor awards for his portrayal of the deranged, obsessive protagonist in Guna and in Thevar Magan, where he played the son of actor, Sivaji Ganesan. Guna met with critical acclaim but failed commercially, whilst the latter became being remade into Hindi as Virasat, with Haasan credited for the story as well as being India's submission for the Academy Awards that year. After a series of successful commercial films such as Singaravelan, Maharasan and Kalaignan; Haasan began to appear in comedies such as Sathi Leelavathi, based on the English film She-Devil, as well as renewing his collobaration with Kasinadhuni Viswanath in his last Telugu language film to date, Subha Sankalpam. The film, Haasan's home production, featured him opposite comedienne Kovai Sarala and it's success led on to further regional remakes. In 1996, Haasan starred in the police story, Kuruthipunal. His success in Kuruthipunal, was followed by his third National Film Award for Best Actor in Indian. Playing dual roles of a freedom fighter and his untrustful son, the film also won Haasan regional awards and plaudits for his portrayal. Moreover, both films were also selected as India's submission for the Academy Awards in their respectiver release years.

Haasan appeared as a woman in Avvai Shanmughi inspired by the Hollywood production, Mrs. Doubtfire. In 1997, Haasan began his first directorial venture, the biopic of Mohammed Yusuf Khan, Marudhanayagam which failed to complete its schedules with only half an hour and a trailer being recorded during its shoot. Marudhanayagam had been speculated to be the biggest and most expensive film in Indian cinema with a number of high profile actors technicians signing up for roles. Moreover, the film was launched in a much publicized ceremony by Elizabeth II of the United Kingdom during her visit to India in 1997 Due to budget constraints, the film failed to materialize into feature length but Haasan has sinced stated his interest in building up funds for the project since. Haasan soon made his debut as director with a remake of Avvai Shanmughi in Hindi titled Chachi 420.

Following a two-year hiatus in Indian cinema, Haasan opted against reviving his magnum opus, Marudhanayagam, and filmed his second directorial venture, Hey Ram, a period drama told in flashback with a semi-fictional plot centering around India's Partition and the assassination of Mahatma Gandhi. Haasan also took on roles as the writer, the lyricist and the choreographer as well as producing the film under his home banner. The film, also featured Shahrukh Khan and was India's submission for the Academy Awards that year. His following film was Aalavandhan, where he portrayed two distinct roles, for one of which he had his head shaved bald and gained ten kilograms. Despite much publicity prior to release, the film failed commercially, with Haasan opting to repay distributors who had suffered losses with the film.

Following a series of successful comedies in Thenali, Panchathantiram and Pammal K. Sambandam and a couple of guest appearances, Haasan directed his third feature film in Virumaandi, a film about the death penalty. Haasan also appeared in Anbe Sivam alongside Madhavan. Priyadarshan, who started the film, departed allowing commercial director Sundar C to complete the film. Anbe Sivam told the story of Nallasivam, enacted by Haasan as an idealist, social activist and communist. Kamal Haasan's performance was highly lauded by critics with The Hindu stating that Haasan "has once again done Tamil cinema proud".

Haasan then appeared in the remake film Vasool Raja alongside Sneha. In 2006, Haasan's long delayed project, Vettaiyaadu Vilaiyaadu emerged as a blockbuster. Gautham Menon's Vettaiyaadu Vilaiyaadu was Haasan's first cop film since Kuruthipunal. In 2008, Haasan appeared in K. S. Ravikumar's Dasavathaaram portraying ten distinct roles in the venture which to-date remains the most expensive Indian film ever made. Pairing opposite Asin Thottumkal, the film became the second highest grossing film ever in Tamil cinema and won Haasan critical praise for his enactment. He had also undertook the opportunity of being the story and screenwriter for the project. Following the completion of Dasavathaaram, Haasan opted to direct his fourth directorial venture, with a film tentatively titled Marmayogi, which after a year of pre-production became stalled. He then opted to produce and star in a venture, Unnaipol Oruvan, co-starring him with Mohanlal. The film, which had Shruti Haasan appear as the music director, became a successful venture for Haasan at the box-office.

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